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Dialogue from the past can be a real pain in the…paragraph.

Dialogue from the past can be a real pain in the…paragraph.
If you want to make Medieval, Renaissance or even characters from the age of Mozart believable, you have to be like a tightrope walker. Characters who say “thee” and “thou” can’t say also say “you” in the next sentence. Here is part of a poem by Geoffrey Chaucer, born in 1340,  who wrote in Middle English.
Book Of The Duchesse
I have gret wonder, be this lighte,
How that I live, for day ne nighte
I may nat slepe wel nigh noght,
I have so many an ydel thoght
Purely for defaute of slepe
That, by my trouthe, I take no kepe
Of no-thing, how hit cometh or goth,
Ne me nis no-thing leef nor loth.
Al is y-liche good to me —
Ioye or sorowe, wherso hyt be —
For I have feling in no-thinge,
But, as it were, a mased thing,
Alway in point to falle a-doun;
For sorwful imaginacioun
Is alway hoolly in my minde.
And wel ye wite, agaynes kynde
Hit were to liven in this wyse;
For nature wolde nat suffyse
To noon erthely creature…
If you read it, you can follow along, for the most part. If you get too accurate with Medieval, Shakespearean or 17th, 18th or even 19th Century language, you can confuse your readers. The first of two authors who handled Medieval/Renaissance dialogue well is Mark Twain with A Connecticut Yankee in King Arthur’s Court and his less known Personal Recollections of Joan of Arc. W.S. Gilbert of Gilbert and Sullivan fame also wrote fantastic Renaissance era dialogue in the operetta, Yeomen of the Guard which opened in 1888.
Here is a sample of W.S. Gilbert’s writing. This is when the heroine, Elsie Maynard meets the Lieutenant of the Guard at the Tower of London.



May it please you, sir, we are two strolling players,

Jack Point and I, Elsie Maynard, at your worship’s
service. We go from fair to fair, singing,
and dancing, and playing brief interludes;
and so we make a poor living.


You two, eh? Are ye man and wife?


No, sir; for though I’m a fool, there is a limit to my
folly. Her mother, old Bridget Maynard, travels with
us (for Elsie is a good girl), but the old woman is a-
bed with fever, and we have come here to pick up some
silver to buy an electuary for her.


Hark ye, my girl! Your mother is ill?

When I think of 19th Century characters, I immediately think of Cowboys. Want advice on well written  Cowboy dialogue?  Here is a link to the blog, Cowboy Kisses:
What it boils down to is: when you imagine your characters talking, do you feel comfortable? If you feel uncomfortable, you need to do more research.
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About Liz McKeown

Liz McKeown has a Bachelors Degree in Journalism from Michigan State University. She was a writer, actress and radio playwright on KFAI Radio, Minneapolis, MN from 1993-1995.

She offers affordable proofreading and copy editing services to Indie writers. Follow her on Twitter or Friend her on Facebook or Good Reads.

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